Eels, The Deconstruction

Eels, The Deconstruction

Here’s a wise, well-crafted rock and roll record with wisdom and dexterity from an indie band that’s aging gracefully. Mark “E” Everett has always had a great gift for sharing his struggles, and he’s had plenty of tragedy in his life to share. The first half still has quite a few songs where Everett’s traditional bleakness is on fill display. But while in the past much of his work has tended to linger in that gloom, The Deconstruction provides a glimpse into a newly at-peace and even optimistic E, who has faced plenty of slings and arrows and still found his way to joy (at least some of the time). Musically there’s nothing tremendously new, just good solid indie rock from a mostly guitar-driven 90s band. Highlights: “The Deconstruction,” “Be Hurt,” “You Are The Shining Light”

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Hop Along, Bark Your Head Off Dog

Hop Along, Bark Your Head Off, Dog This Philadelphia band’s complex, literate, off-kilter indie rock gets better with every listen. This could never be pop music, no matter who produced it or what instruments they used. It is too strange, singlar and too unrestrained. Singer Frances Quinlan’s melodic acrobatics are all over the map — “angular” doesn’t begin to cover it — and the rest of the band careens along wildly; the whole thing barely holds together, in the most wonderful way. The same guy who told Mozart he used “too many notes” would’ve said the same to Hop Along and he’d be similarly wrong. The string section, the backing vocals and the occasional synths are apparently new with this album and they offset the band’s punk-infused spirit perfectly. Highlights: “Prior Things,” “The Fox in Motion,” “What the Writer Meant”

Loma, Loma

Loma , Loma A beautiful, folk-tinged but electronically adept indie art-rock debut from a Texan trio with a sound all its own, Loma came about when Cross Repair (chiefly Emily Cross and her then husband / musical engineer Dan Duszynski) toured as the opening act for Jonathan Melburg’s Shearwater. The resulting trio is a best-of-all-worlds scenario in which Cross’s voice makes exquisite use of Melburg’s lyrics and melodies, and Duszynski engineers and mixes the music. Sonically it’s a shapeshifter, owing to a Duszysnki using a giant toolbox of sound, folk and electronica and rock and spectral pop instrumentation each coming and going as the songs call for them, and a wide variety in tone as well. Tragically for Cross and Duszynski’s marriage was ending, but the music certainly doesn’t suffer for that. Highlights: “Relay Runner,” “Dark Oscillations,” “Joy”

Caroline Rose, Loner

Caroline Rose, Loner Diverging wildly from both her roots rock and folk pasts, Caroline Rose’s new dance pop album sounds as bright red as her album covers. Having made a deliberate shift to bring her songs more in line with her musical interests and with her playful, sometimes caustic sense of humor, Rose hams it up a fair bit but she’s in her power the entire time and has plenty to say. The instrumentation and production are exquisite, guitars and synths and percussion in perfect synergy. Highlights: “Money,” “Soul № 5,” Bikini”

Album Reviews by Stefan Wenger

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