Jacob Banks, Village

Jacob Banks, Village

With the British, Nigerian-born future soul singer’s full-length debut, Jason Banks discovers the point at which today’s forward-thinking alternative R&B comes full circle and connect with classic R&B. Banks’s arrangements are contemporary, much of his instrumentation electronic and advanced, and he makes relevant enough cultural references to blend in with the hip hop set. his voice, though, recalls the soul men of yore, with a mighty, stirring baritone of which he is in full command. His voice rings out with power and sensitivity in equal measure. Banks brings some fusion from outside R&B world too, with traces of reggae and African sounds. This one’s worth checking out even if you don’t think you like soul or R&B. Highlights: “Kumbaya,” “Caroline,” “Unknown (To You)”

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Richard Thompson, 13 Rivers

Richard Thompson , 13 Rivers Richard Thompson — 13 Rivers Arguably the most consistently engaging artist of the last 50 years, Richard Thompson continues to write deep, dark folk-rock songs with an acerbic wit married to a soft, calm wisdom. This new album isn’t widely divergent from his established catalogue but miraculously Thompson, who was already a guitar hero in the 1970s, still manages to grow as a guitarist and sound fresh. Working highly intricate riffs into the undergirding of each song’s frame, he also solos on every song and as usual, his virtuosity remains connected to the music, always moving the songs forward rather than grandstanding. Plus, Thompson’s one of a kind voice only deepens in resonance over time. Highlights: “Trying,” “O Cinderella,” “Bones of Gilead”

Brandi Carlile, By The Way I Forgive You

Brandi Carlile , By The Way I Forgive You A return to form, Washington state singer/songer Brandi Carlile’s 6th album puts her voice front and center, which seems like a no-brainer. The power and the character of her voice is her main draw and beyond that, it’s the lyrics; both of these are potentially universal in their appeal. While the singer’s slight twang and the album’s production plant this album on the country side of folk music, this is the kind of album that people who don’t think they like country or folk music will get into. Carlile belts our her choruses with unassailable conviction, her turns of phrase are clever and her words are emotionally weighty and wise. Highlights: “The Mother,” “Hold Out Your Hand,” “Every Time I Hear That Song”

Album Reviews by Stefan Wenger

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