Angelique Kidjo, Remain In Light

Angelique Kidjo, Remain In Light

Is this already my favorite covers album ever? I’m an easy sell, granted, on an Africanized reimagining of a classic Talking Heads album, by an artist I already like. Unsurprisingly, the Beninese legend Kidjo digs into the African roots of each of these songs and brings out its polyrhythmic, percussive vibrance. Her more emotionally driven vocals also naturally bring out a passion in the songs that wasn’t so easily heard in David Byrne’s more cerebral tone. Delightfully, she tosses in lots of backing vocals sung in her native Fon language, including some sung by Vampire Weekend’s Ezra Koenig. The songs feel both earthier and (even) livelier than the originals. Those 1970s art school kids should be awfully proud. Highlights: “Crosseyed and Painless,” “Once in a Lifetime,” “Born Under Punches”

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Courntey Marie Andrews, May Your Kidness Remain

Courntey Marie Andrews, May Your Kidness Remain This young old soul sings simple songs of timeless wisdom that could have been delivered in any genre; Courtney Marie Andrews has chosen folk-country stylings with some indie pop flavorings. The Phoenix-born Andrews has a voice that rings out clear and sonorous and heartfelt, and leaves the twang to the guitars. The first two songs are sheer perfection and at least half the songs approach it; she’s at her strongest when she’s extolling the core virtues of her message — love, kindness and self-awareness. Highlight: “May Your Kindness Remain,” “Lift the Lonely from My Heart,” “This House”

Richard Thompson, 13 Rivers

Richard Thompson , 13 Rivers Richard Thompson — 13 Rivers Arguably the most consistently engaging artist of the last 50 years, Richard Thompson continues to write deep, dark folk-rock songs with an acerbic wit married to a soft, calm wisdom. This new album isn’t widely divergent from his established catalogue but miraculously Thompson, who was already a guitar hero in the 1970s, still manages to grow as a guitarist and sound fresh. Working highly intricate riffs into the undergirding of each song’s frame, he also solos on every song and as usual, his virtuosity remains connected to the music, always moving the songs forward rather than grandstanding. Plus, Thompson’s one of a kind voice only deepens in resonance over time. Highlights: “Trying,” “O Cinderella,” “Bones of Gilead”

Fantastic Negrito, Please Don’t Be Dead

Fantastic Negrito , Please Don’t Be Dead With the sophomore effort of the third incarnation of Xavier Dphrepaulezz’s musical career, the eccentric bluesman surges ahead on a wave of confidence bestowed by the long-sought success of his 2017 release The Last Days of Oakland. This album is one of a kind; blues is Fantastic Negrito’s homebase, but for the purposes of this album it’s simply springboard to a fantastically diverse array of sounds. From soulful paeans of resistance, to all-out rockers with theatrical guitar wigouts, to off-kilter grunge progressions, to anthemic chanting in exotic scales, Dphrepaulezz is unpredictable and impossible to pin down. Sometimes the only things tying the album together are the progressive message and the personal mojo of its artist, but that’s all it needs. Highlights: “A Letter To Fear,” “A Boy Named Andrew,” “A Cold November Street”

Album Reviews by Stefan Wenger

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